Recommended Boutique ---Yao Jianping "New glory"
姚建萍，女，汉族，1967年4月6日出生，苏州市人，第四届全国中青年德艺双馨文艺工作者，第一批国家级非物质文化遗产项目苏绣代表性传承人。2002年创办苏州姚建萍刺绣艺术馆，所创作品四次获得中国民间文艺最高奖“山花奖”金奖，十余次获国际大奖，两次搭载卫星飞天归来。苏绣巨作《我爱中华》搭载卫星遨游太空，是艺术史上首个飞天的刺绣艺术品。她尤其擅长人物肖像刺绣，并领衔创作了一大批极富时代特点的原创主题苏绣作品。姚建萍的作品多次作为国礼赠与外国政要及知名人士，部分作品被国内外多家重要机构及个人收藏。她还为周恩来、邓小平、江泽民、安南、布什、伊丽莎白女王、希拉克等许多中外名人绣像并被收藏。2012年6月7日，姚建萍苏绣作品《英国女王》被英国王室正式收藏，安德鲁王子告诉姚建萍，这是白金汉宫首次收藏中国当代艺术家的作品。2012年苏绣巨作《春早江南》陈列于北京人民大会堂全国人大常委会全体会议厅，该作品代表了当今的刺绣艺术最高水平，是中国刺绣史上的“里程碑之作”、“绝冠之作”。
Yao Jianping, female, Han nationality, born on April 6, 1967, Suzhou City, the fourth national young and middle-aged artists with both moral and artistic integrity, the first batch of national intangible cultural heritage project representative inheritors of Suzhou embroidery. In 2002, he founded Suzhou Yao Jianping Embroidery Art Museum, and his works won the gold medal of "Mountain Flower Award", the highest award of Chinese folk literature and art, more than 10 international awards, and flew back by satellite twice. Su embroidery masterpiece "I Love China" on satellite travel space, is the first flying embroidery art in the history of art. She is particularly good at portrait embroidery, and has led the creation of a large number of original theme Suzhou embroidery works with unique characteristics of The Times. Yao Jianping's works have been presented to foreign dignitaries and celebrities as state gifts for many times, and some of her works have been collected by many important institutions and individuals at home and abroad. On June 7, 2012, Yao Jianping's Suzhou embroidery work "Queen of England" was officially collected by the British Royal family. Prince Andrew told Yao Jianping that it was the first time Buckingham Palace collected works by Chinese contemporary artists. In 2012, Su embroidery masterpiece Jiangnan in the Early Spring is displayed in the plenary Hall of the Standing Committee of the National People's Congress in the Great Hall of the People in Beijing. The work represents the highest level of embroidery art today, and is a "milestone work" and "masterpiece" in the history of Chinese embroidery.
近期我公司征集了一幅姚建萍“新辉煌” ，整幅作品长41cm，宽71cm。苏绣《新辉煌》是一个博物馆级别的重要藏品，从创新上说这件作品是跨界大作，通过在创作中综合运用多种针法来呈现油画的特点，具有极高的立意和美学价值。苏绣《新辉煌》以精微细致的丝线和针法变化，来展现原作中的光影渐变和色彩过渡，这就是苏绣与油画的异曲同工之妙，它们都是在细处下功夫，只看局部细节好似波澜不惊，但放眼整体又给你一个震撼人心的美丽画面。苏绣《新辉煌》首次将油画艺术与苏绣艺术完美结合，凝聚了徐里和姚建萍两位顶级艺术家的智慧与默契，耗费近一年时间创作了这幅代表“绿水青山就是金山银山”伟大治国理论的艺术作品，这也是其个人苏绣巅峰之作。为呈现画面中金山辉煌效果，姚建萍大面积运用超越清代龙袍的技艺“金银线绣”，整张作品满工满绣，辉煌灿烂，可谓不计成本。以苏绣呈现油画，近千种色彩层叠渲染历史首次以苏绣形式呈现油画，为了接近油画本来的颜色，采用近千种色彩层叠渲染，最终形成自然、生动、饱满的景象。整幅作品显得张弛有序，古色古香中透出现代时尚气息。
Recently, our company collected a painting of Yao Jianping's "New brilliance", the whole work is 41cm long and 71cm wide. Suzhou Embroidery "New Brilliance" is an important museum-level collection. From the perspective of innovation, this work is a cross-border masterpiece, which presents the characteristics of oil painting through the comprehensive use of a variety of stitches in the creation, and has high intention and aesthetic value. Su Embroidery "New Brilliance" with subtle silk and stitch changes, to show the gradual change of light and shadow in the original and the transition of color, this is the beauty of Su embroidery and oil painting, they are in detail, only look at the local details seem calm, but look at the whole and give you a shocking beautiful picture. Su Embroidery's "New Brilliance" is the first perfect combination of oil painting art and Su embroidery art, and embodies the wisdom and tacit understanding of two top artists Xu Li and Yao Jianping. It took nearly a year to create this work of art representing the great governance theory of "clear water and green mountains are Jinshan and silver mountains", which is also the peak of her personal Su embroidery. In order to present the brilliant effect of Jinshan in the picture, Yao Jianping used a large area of technology beyond the Qing Dynasty dragon robe "gold and silver thread embroidery", the whole work is fully embroidered, brilliant, regardless of the cost. Oil painting with Su embroidery, nearly a thousand kinds of color overlay rendering history for the first time to present oil painting in the form of Su embroidery, in order to close to the original color of oil painting, the use of nearly a thousand kinds of color overlay rendering, and finally form a natural, vivid, full scene. The whole work appears to be relaxed and orderly, and the antique smell reveals a modern fashion.
2500多年前，苏绣起源于苏州。姑苏女子心灵手巧，擅长慢针细活。因此，苏绣在江南一带具有广泛的群众基础，特别是在苏州西部的镇湖等地，堪称“户户有棚架，家家会刺绣”。虽历经千年的风风雨雨，时至今日，苏绣艺术依然生生不息、代代相传。在传统技艺的基础上姚建萍充分发挥了“针融百家”的优势特点，着力在整体与细节的协调性上，通过人物的传神塑造，展现出民族精神。
Suzhou embroidery originated in Suzhou more than 2,500 years ago. Gusu women are clever and good at slow and delicate work. Therefore, Suzhou embroidery has a broad mass base in the Jiangnan area, especially in the west of Suzhou, Zhenhu and other places, can be called "every household has a trellis, every family can embroider." Despite the ups and downs of thousands of years, the art of Suzhou embroidery is still alive and well and passed down from generation to generation. On the basis of traditional skills, Yao Jianping gives full play to the advantages and characteristics of "needle blending a hundred", focusing on the coordination of the whole and details, and showing the national spirit through the portrayal of characters.
姚建萍熟练地掌握了如光影明暗及透视的结构关系，立体感以及对蚕丝线光泽特性、刺绣丝理方向、针脚长短的应用。技术根据画面调整，用不同的针法对应不同的物体，她不拘泥于传统的刺绣方式，博采众长，大胆创新，在刺绣作品中融入了不少新兴的艺术。非常注重边缘线的虚实变化关系，在细节的处理和整体的把控上追求形神兼备。姚建萍以平针夹乱针铺陈大面积的远景；中景以仿真绣结合乱针绣梳理山脉走向，融丝理于石理、树理、草理，层层递进。在绣法的交错运用中表现出墨彩交融、酣畅淋漓的壮阔景象，又不失精致婉约，虚实结合的风景作品中的景深感让我们仿佛置身其中。
Yao Jianping skillfully mastered structural relations such as light and shade and perspective, three-dimensional sense and the application of silk luster characteristics, embroidery silk direction, stitch length. Technology according to the screen adjustment, with different stitches corresponding to different objects, she does not adhere to the traditional way of embroidery, learn from others, bold innovation, in the embroidery works into a lot of emerging art. Pay great attention to the relationship between the virtual and real changes of the edge line, and pursue both form and spirit in the handling of details and the overall control. Yao Jianping lays out a large-area vision with flat needles and random needles; In the middle scene, the combination of artificial embroidery and random needle embroidery is used to comb the direction of the mountains, and the silk is blended in the stone, tree and grass, and the layers are progressive. In the application of the embroidery method, it shows the magnificent scene of ink and color blending, without loss of exquisite and graceful, and the scenery deep feeling of the combination of virtual and real landscape works makes us feel as if we are in it.
2015年，姚建萍在中国美术馆举办个人刺绣艺术大展，开创了国内刺绣艺术家走进中国最高艺术殿堂举办展览的先河。此后，她还多次创作主题性作品走进北京奥运会、世博会等国际盛事，用苏绣讲述中国故事，用匠心传播中国声音。多年来佳作频出的背后，是姚建萍在“绣意与绣真”，“情调、意境、气势”，“针融百家、艺开新境”等方面下足功夫。她深刻明白，针承历史，绣随时代，自己的成长和发展与伟大时代息息相关。正因如此，姚建萍的艺术创作始终与时代和人民相结合。她用小小的银针谱写着时代宏篇，将文艺工作者的创作融入到时代发展和人民群众中去，牢记文艺为时代和人民服务的宗旨，坚持创作人民群众喜闻乐见的作品。在思想文化以及针法融合上，打破常规，突出立体效果，用兼容并蓄的理念，把各种优秀针法融合到一起。通过不同颜色针线的层层叠加，在还原自然效果的基础上，增强艺术效果，体现出融针绣风格在色彩方面的匠心独运。
In 2015, Yao Jianping held a personal embroidery art exhibition at the National Art Museum of China, creating a precedent for domestic embroidery artists to enter the highest art hall in China to hold exhibitions. Since then, she has also created many thematic works into the Beijing Olympic Games, World Expo and other international events, using Suzhou embroidery to tell Chinese stories, with ingenuity to spread the voice of China. Behind the frequent production of excellent works over the years, Yao Jianping has made full efforts in the aspects of "embroidering meaning and embroidering truth", "mood, artistic conception, momentum", "needle melting, art opening new environment" and so on. She deeply understands that the needle bears history, embroiders with The Times, and its growth and development are closely related to the great era. Because of this, Yao Jianping's artistic creation has always been combined with The Times and the people. She uses a small silver needle to compose a grand chapter of The Times, integrates the creation of literary and artistic workers into the development of The Times and the people, keeps in mind the purpose of literature and art serving The Times and the people, and insists on creating works that the people are pleased to hear. In the ideological culture and stitch fusion, break the routine, highlight the three-dimensional effect, with the concept of inclusiveness, integrate all kinds of excellent stitches together. Through the superposition of different colors of needles and threads, on the basis of restoring the natural effect, the artistic effect is enhanced, reflecting the ingenuity of the style of melt needle embroidery in color.
从这幅作品里我们可以看到艺术家心中山川河流的壮美辽阔，看到西方油画与中国苏绣两种艺术表现形式的珠联璧合，可以看到新时代中国艺术家对艺术真谛的不断求索，姚建萍老师把对艺术的孜孜不倦与苦心孤诣,凝结在了这一幅艺术作品当中,以此作为时代的献礼。
From this work, we can see the magnificent vastness of mountains and rivers in the artist's mind, the perfect combination of Western oil painting and Chinese Su embroidery, and the continuous pursuit of the true meaning of art by Chinese artists in the new era. Teacher Yao Jianping has condensed her tireless and painstaking knowledge of art into this art work, which is a tribute to The Times.
姚建萍的苏绣作品“以古人之规矩,开今人之生面”，在苏绣《新辉煌》的创作过程中,姚建萍大胆地运用了传统的苏绣色调,将草地烘托出强烈而又斑斓多姿的色彩效果;巧妙地处理光影明暗的自然转换关系，熟练地将画理与绣理相结合,利用不同针法的错综交叠,借助优质丝线的光线折射,让整幅作品呈现出新的空间感和立体感。针笔着眼突出其磅礴的气势，广阔的胸怀，传统刺绣的精细雅洁，在苏绣的一针一丝中,整幅画卷表现出了远观气势、近观精致的崭新效果。雪山的肌理更清晰、山脊更立体，草地的层次更鲜明、色彩更饱满，湖泊的光影更生动、光彩更夺目。
Yao Jianping's Suzhou embroidery works "Open the life of today's people with the rules of the ancients", in the creation process of Suzhou embroidery "New Brilliance", Yao Jianping boldly uses the traditional Suzhou embroidery colors, and sets off the strong and colorful color effect of the grass; Skillfully handle the natural transition relationship between light and shade, skillfully combine the painting and embroidery, use the intricate overlap of different stitches, and use the light refraction of high-quality silk threads to make the whole work present a new sense of space and three-dimensional. The stylus focuses on highlighting its majestic momentum, broad mind, and the fine elegance of traditional embroidery. In the stitch of Suzhou embroidery, the whole picture shows a new effect of distant momentum and exquisite close-up. The texture of the snow mountain is clearer, the ridge is more three-dimensional, the level of the grass is more vivid and full of colors, and the shadow and shadow of the lake are more vivid and dazzling.
姚建萍是用中国的传统苏绣工艺技法,让中国传统工艺技巧与中国艺术精神在继承中得到传承,在融合中谋求发展。“绿水青山就是金山银山”,这句深富内涵、极具韵味的经典论述早已成为中国人民耳熟能详的“金句”,彰显着人与自然和谐发展的时代精神。用海拔4000米以上的绿草象征自然与生命,寓意着祖国必将继续蓬勃发展;用金色的雪山象征力量与希望,寄托着对民族伟大复兴与人民幸福安康的期望。整幅画卷通过营造天、地、人和谐统一的氛围,表达着对人们对美好生活的向往与憧憬。
Yao Jianping is using the traditional Chinese Suzhou embroidery techniques, so that the traditional Chinese craft skills and Chinese art spirit in the inheritance of inheritance, seeking development in the integration. "Clear water and green mountains are gold hills and silver mountains", this profound connotation and charm of the classic statement has long become the Chinese people familiar with the "golden sentence", highlighting the harmonious development of man and nature spirit of The Times. The green grass above 4000 meters above sea level symbolizes nature and life, which means that the motherland will continue to flourish; The golden snow mountain symbolizes strength and hope, and hopes for the great rejuvenation of the nation and the happiness and well-being of the people. The whole painting expresses people's longing and longing for a better life by creating a harmonious and unified atmosphere of heaven, earth and people.
凭借对苏绣和祖国的热爱,姚建萍把传统苏绣提升到了一个崭新的境界。如今,她以针为笔,以线为墨,在经纬之间画出无限风景,将徐里这幅具备时代意义的作品,打造成了中国苏绣艺术与西方油画形式完美融合的范本,再次践行了她30年前给自己树立的信念——苏绣不仅善于表现江南的小情小调,也可以突破尺度的限制表现家国天下、织就时代故事。一幅《新辉煌》,饱含着两位艺术家对祖国的深厚情感,表达了人们对未来美好生活的憧憬,是一曲讴歌时代的雄浑乐章。
With her love for Suzhou embroidery and the motherland, Yao Jianping raised the traditional Suzhou embroidery to a new realm. Today, she uses needle as pen and thread as ink to paint infinite landscapes between warp and weal, turning Xu Li's work with the significance of The Times into a model of the perfect integration of Chinese Su embroidery art and Western oil painting forms, once again practicing the belief she set for herself 30 years ago - Su embroidery is not only good at expressing the small feelings and minor tones of Jiangnan, but also can break through the limitations of scale to express the country and the world and weave The story of The Times. A piece of "New Brilliance", full of the two artists' deep feelings for the motherland, expressed people's longing for a better life in the future, is a powerful music eulogizing The Times.
姚建萍将油画、摄影、雕塑、国画、书法的线条、结构、色彩、光影变化融为一体，与传统刺绣针法有机结合，注重作品的唯美主义倾向，强调光影色彩的自然过渡，大胆追求色彩的斑斓丰富，充分运用平针绣和乱针绣的各自特点，中西融合，古今融合，巧妙变化中灵活运用平乱转换，以及吸收各大绣种流派的特点，集大成于一体。讲究造型结构的和谐处理，构图表达错落有致，疏密相间；大胆运用复杂丰富的色调，大胆追求色彩反差和色彩互补，烘托出强烈而又斑斓多姿的色彩效果；巧妙处理光影明暗的自然转换关系，写实部分以平针绣堆砌，朦胧部分以乱针绣过渡，使作品虚实相衬，相得益彰；讲究针法与丝理的结合，画理与绣理的结合，不同的针法与丝理的错综交叠，通过光线折射，呈现出不同的远近距离空间感和凹凸不平的立体感。
Yao Jianping integrates the lines, structure, colors and changes of light and shadow in oil painting, photography, sculpture, Chinese painting and calligraphy, and organically combines them with traditional embroidery stitches. She pays attention to the aesthetic tendency of her works, emphasizes the natural transition of light and shadow colors, boldly pursues the colorful and rich colors, makes full use of the characteristics of plain stitch embroidery and random stitch embroidery, and integrates Chinese and Western, ancient and modern. Clever changes in the flexible use of flat conversion, as well as absorb the characteristics of major embroidery schools, integrated into one. Pay attention to the harmonious treatment of modeling structure, composition and expression are scattered and dense; The bold use of complex and rich colors, the bold pursuit of color contrast and color complement, accentuating a strong and colorful color effect; Skillfully deal with the natural transition between light and shadow, the realistic part is stacked with plain embroidery, and the hazy part is transitional with random embroidery, so that the works complement each other and complement each other; Pay attention to the combination of needlework and silk, the combination of painting and embroidery, the overlapping of different needlework and silk, through light refraction, showing a different sense of distance space and bumpy three-dimensional sense.
姚建萍作为苏绣大师，她大胆创新，博采众长，将油画、国画、人物、肖像等题材与苏绣艺术巧妙融合，把美术中的素描关系、光影变化、透视与色彩的表现手法灵活运用到刺绣中去，使传统苏绣有了质的飞跃。祖国大好河山的风采神韵，在她的一针一线下皆化作永恒。
As a master of Suzhou embroidery, Yao Jianping is bold and innovative. She cleverly integrates oil painting, Chinese painting, figures and portraits with the art of Suzhou embroidery. She flexibly applies the expression techniques of sketch relationship, light and shadow change, perspective and color in fine art to embroidery, making traditional Suzhou embroidery a qualitative leap. The beauty and charm of the great rivers and mountains of the motherland are transformed into eternity under her needle and thread.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
