Recommended Boutique --Tian Shiguang's "Double Joy of Macaque"
田世光（1916年10月—1999年7月）号公炜，祖籍山东乐陵，世居北京西海淀六郎庄。张大千入室弟子，擅花鸟兼及山，精工笔，亦作写意。师承张大千、赵梦朱、吴镜汀、于非闇、齐白石诸先生。年拜张大千门下，为大风堂弟子之一 。 田世光先生曾任中国美术家协会会员、中央文史馆官员、北京工笔重彩画会副会长。中央美术学院教授、中国画研究院理事、院务委员、中国老年书画研究会顾问。长期从事花鸟、山水画创作，继承了宋元派双勾重彩工笔花鸟画的优良传统技法，并赋之予新的时代精神，为我国现代工笔花鸟画名家。作品有《英姿万古》(藏于中国美术馆)、《春晖》、《幽谷红妆》、《山雀》等 。曾举办个人画展多次，出版有《田世光花鸟画集》、《田世光画集》等。
Tian Shiguang (October 1916 - July 1999) was born in Leling, Shandong Province, and lived in Liulangzhuang, Xihaidian, Beijing. Zhang Daqian home disciples, good at flowers and birds and mountains, fine brushwork, also for freehand. Under the guidance of Zhang Daqian, Zhao Mengzhu, Wu Jingting, Yu Feiyin, Qi Baishi Zhu. Zhang Daqian was one of the disciples of the Gale Hall. Mr. Tian Shiguang was a member of the Chinese Artists Association, an official of the Central Museum of Literature and History, and the vice president of Beijing Gongbi Heavy Color Painting Association. Professor of the Central Academy of Fine Arts, director of the Academy of Chinese Painting, committee member, consultant of the Chinese Elderly Painting and Calligraphy Research Association. He has been engaged in flower and bird painting and landscape painting for a long time, inheriting the fine traditional techniques of Song Yuan School double double color meticulous flower and bird painting, and giving it to the new spirit of The Times, and is a famous modern meticulous flower and bird painting in China. His works include "Heroes of All Ages" (in the National Art Museum of China), "Chunhui", "Red Beauty in the Valley", "Chickadee" and so on. He has held many individual exhibitions and published Tian Shiguang's Flower and Bird Paintings and Tian Shiguang's Paintings.
近期我公司征集了一幅田世光款“猕猴双欢图”，整幅画卷为纵向画轴，长135.5cm，宽66.5cm，右下角有创作时间落款。篇幅适中，内容居中，保证了极好的观感。所绘双猴攀爬树枝，一只蹲坐，一只伸臂拉扯，动作灵动，姿态自信。毛发的独立描绘，使其更加栩栩如生。枝干与树叶的颜色，形成了最鲜明的对比，实属精妙。可见其画风充满了宋元派双勾重彩工笔画的优良传统。整体保存完好，为书画珍藏上品。
Recently, our company collected a "macaque double joy map" by Tian Shiguang, the whole scroll is a longitudinal painting axis, 135.5cm long, 66.5cm wide, and the creation time is signed in the lower right corner. Moderate length and centered content ensure excellent viewing. The painted two monkeys climbing branches, one squatting, one stretching the arm pulling, the movement is agile, the posture is confident. The independent depiction of the hair makes it more lifelike. The contrast between the stems and the leaves, the most striking, is subtle. It can be seen that his painting style is full of the fine tradition of double hook color meticulous painting of Song Yuan school. The whole is well preserved and is the top quality of calligraphy and painting collection.
这幅作品所画白猿，是画家田世光之典型风貌。画面中，以写意法绘就一树枝干与叶子， 远虚近实， 更显沧桑遒劲， 其间浓墨缭绕，舒展的叶片以湿墨画出， 干湿并用， 饶有生趣， 更见生机。画家又画白猿攀爬于树枝上，与树木的写意不同，画家以工细的笔法画猿猴的毛发，根根分明，而其中一猿猴蹲踞树上的姿态，一臂高举牢牢握住上面， 一臂正要伸出， 目光警觉， 似乎正准备跳跃而出。画家所画猿猴的神态尤为生动，特别是五官的描绘，以水墨、赭石和朱红绘出，与白色的毛发对比分明， 鲜明精湛。此画兼工带写， 写意水墨与工笔白猿对比强烈，白猿仿佛跃出画面一般，值得品味。田世光画笔下的猿猴，灵活灵现。
The white ape painted in this work is a typical style of the painter Tian Shiguang. In the picture, the freehand painting on a branch dry and leaves, far virtual near solid, more vicissitudes of life, which is curled with thick ink, stretch the leaves painted with wet ink, dry and wet, full of fun, more vitality. The painter also painted the white ape climbing on the branches of the tree, different from the freehand style of the tree, the painter painted the hair of the ape with meticulous strokes, and the posture of one of the apes squatting on the tree, holding it firmly with one arm raised, one arm is about to extend, the eyes are alert, and it seems to be ready to jump out. The artist's expression of the ape is particularly vivid, especially the depiction of the five features, painted with ink, ochre and vermilion, and the contrast with the white hair is clear and exquisite. This painting is also a work with writing, freehand ink and meticulous white ape contrast strongly, white ape as if jumping out of the picture, worth tasting. The monkey under Tian Shiguang's brush is flexible and vivid.
中国古代书画浩瀚如烟，荟萃中华传统文化精髓。自古至今，文人雅士、达官贵人莫不醉心于书画，藏之、鉴之、赏之，收藏与鉴赏相继而兴。国画是中国的传统绘画形式，是用毛笔蘸水、墨、彩作画于绢或纸上。工具和材料有毛笔、墨、国画颜料、宣纸、绢等，题材可分人物、山水、花鸟等，技法可分具象和写意。中国画在内容和艺术创作上，体现了古人对自然、社会及与之相关联的政治、哲学、宗教、道德、文艺等方面的认知。
Ancient Chinese paintings and calligraphy are as vast as smoke, gathering together the essence of traditional Chinese culture. Since ancient times, literati and dignitaries have been obsessed with painting and calligraphy, storing, appreciating and appreciating them, and collecting and appreciating them one after another. Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink or color. Tools and materials are brush, ink, Chinese painting pigments, rice paper, silk, etc., subject matter can be divided into figures, landscapes, flowers and birds, techniques can be divided into figurative and freehand. In terms of content and artistic creation, Chinese painting embodies the ancient people's cognition of nature, society and related politics, philosophy, religion, morality, literature and art.
田世光，一代国画大师，为我国现代工笔花鸟画名家。早年求学于京华美术学院，专攻国画花鸟，解放前在北平国立艺专任教，曾任中央美院教授。他长期从事花鸟、山水画创作，继承了宋元派双勾重彩工笔花鸟画的优良传统技法，并赋之予新的时代精神，为我国现代工笔花鸟画名家。抗战前夕，田世光有幸认识了张大千先生，大千先生对他的花鸟画很是欣赏，准备拜门收徒，适值“七七”事变，大千先生去敦煌主持莫高窟的临摹和研究。当抗战胜利，张大千先生再返北平时(1946年春)，田世光正式拜在大风堂门下(指拜在张大千大师门下)。拜师礼在颐和园长廊东头的养云轩举行，田世光向大千先生行了传统式样的三跪九叩的拜师礼。
Tian Shiguang, a master of traditional Chinese painting, is a famous painter of modern meticulous flower-and-bird painting. He studied in Jinghua Academy of Fine Arts in his early years, specializing in flowers and birds of Chinese painting. Before liberation, he taught in Beiping National Art College and was a professor at the Central Academy of Fine Arts. He has long been engaged in the creation of flower and bird painting, landscape painting, inherited the fine traditional techniques of the Song Yuan school of double double color meticulous flower and bird painting, and gave it to the new spirit of The Times, and became a famous modern meticulous flower and bird painting in China. On the eve of the War of Resistance, Tian Shiguang had the honor to know Mr. Zhang Daqian, Mr. Daqian was very appreciative of his flower and bird paintings, ready to worship the door and receive students, coincided with the "Seven Seven" incident, Mr. Daqian went to Dunhuang to preside over the copying and research of Mogao Grottoes. When the Anti-Japanese War was won and Mr. Zhang Daqian returned to Beiping (spring of 1946), Tian Shiguang officially worshipped at the gate of the Wind Hall (referring to the gate of Master Zhang Daqian). The worship ceremony was held in the Yangyun Xuan at the east end of the Summer Palace corridor. Tian Shiguang made a traditional worship ceremony of three kneels and nine knocks to Mr. Daqian.
田世光的作品早在40年代就广为国内、国际人士收藏。50年代与郭沫若先生合作“百花齐放”大型画册，由郭沫若写诗，田世光作画达72幅，并与齐白石、何香凝、陈半丁等共同创作大幅中国画《和平颂》，为《世界和平大会》献礼，田世光是国内外具有相当影响力的中国画家。许多作品在中国美术馆、人民大会堂、天安门、中南海紫光阁及许多省市的博物馆、美术馆等均有珍藏。他的作品曾多次在日本、英国、美国和法国等许多国家和地区展览和出版，以及一些国家级的博物馆珍藏并获奖。
Tian Shiguang's works were widely collected by domestic and international people as early as the 1940s. In the 1950s, he cooperated with Mr. Guo Moruo in the large-scale album of "A Hundred Flowers Blooming", which was composed of poems by Guo Moruo and 72 paintings by Tian Shiguang. Tian Shiguang, together with Qi Baishi, He Xiangning and Chen Banding, created a large-scale Chinese painting "Peace Ode" as a tribute to the World Peace Conference. Tian Shiguang is a very influential Chinese painter at home and abroad. Many of his works are collected in the National Art Museum of China, the Great Hall of the People, Tiananmen Square, Ziguangge in Zhongnanhai, and many provincial and municipal museums and art galleries. His works have been exhibited and published in many countries and regions such as Japan, the United Kingdom, the United States and France, as well as some national museum collections and awards.
让人们一直感谢和怀念田世光的，是他对传承、振兴传统花鸟画做出的杰出贡献。他继承了宋元派双钩重彩工笔花鸟画的优良传统技法，并赋予新的时代精神，使沉寂、失传了三百年的宋元画派工笔重彩花鸟画艺术，在新的历史时期得到发展与突破，得以发扬光大。他的画作中笔底勾线稳、准、劲、畅，中锋骨力与流美韵律节奏刚柔兼济，具有强烈的动感和旋律感。他的绘画既承传统法度，又不拘一格， 画风清新秀雅，转折顿挫、取舍腾挪，生动灵妙，颇有俊逸之势。
Tian Shiguang has been thanked and remembered for his outstanding contribution to the inheritance and revitalization of traditional flower and bird painting. He inherited the fine traditional techniques of double-hook and double-color meticulous flower-and-bird painting of the Song and Yuan school, and gave it a new spirit of The Times, making the silent and lost art of the Song and Yuan school meticulous and double-color meticulous flower-and-bird painting develop and break through in the new historical period, and carry forward. In his paintings, the bottom line of the pen is steady, accurate, vigorous and smooth, and the center bone strength and the rhythm of the flow of the United States are both rigid and soft, with a strong sense of movement and melody. His paintings both adhere to the traditional method, but also eclectic, fresh and elegant painting style, turning setbacks, trade-offs, vivid and clever, quite a beautiful trend.
中国美术家协会主席范迪安曾评论说：“田世光的艺术具有鲜明的时代性。他以自己独到的视角认识传统花鸟画，取法宋元花鸟画风格，体现出一种‘大花鸟观’的意识。同时，田世光的艺术还体现出水墨与工笔交融的特征。他坚持探索水墨写意的情趣与工笔重彩的严谨相结合，是对花鸟画传统的创造性转化，实现了现代性的突破。”美术史论家薛永年先生评价说，“二十世纪花鸟画的变化主要是在两个方面，一是贴近了和现实生活的关系，不再画鲜花瑶草，也不再画文人喜欢的书斋点缀，而是平民百姓喜闻乐见的寻常花鸟。第二是普遍取法宋元，以写生、默记来师法造化，提高造型能力，精微地表现物态，田世光就是其中的代表。”
Fan Di 'an, chairman of the Chinese Artists Association, once commented: "Tian Shiguang's art has a distinct contemporary character. He understood the traditional flower and bird painting from his own unique perspective, and chose the style of Song and Yuan flower and bird painting, reflecting a sense of "big flower and bird view". At the same time, Tian Shiguang's art also reflects the characteristics of ink and meticulous brushwork. He insists on exploring the combination of freehand brushwork and rigorous color, which is a creative transformation of the tradition of flower-and-bird painting and a breakthrough in modernity." Mr. Xue Yongnian, an art historian, commented, "The changes of flower and bird painting in the 20th century are mainly in two aspects, one is close to the relationship with real life, no longer painting flowers and grass, nor painting the study decoration that scholars like, but ordinary flowers and birds that ordinary people like to see." The second is to generally learn from Song and Yuan Dynasties, to sketch and memorize to learn from nature, improve modeling ability, subtle expression of the state of things, Tian Shiguang is one of the representatives."
田世光长期从事花鸟、山水画创作，继承了宋元派双勾重彩工笔花鸟画的优良传统技法，并赋之予新的时代精神。使沉寂、失传了三百年的宋元画派工笔重彩花鸟画艺术，得到了复兴和发展。他在严谨工整中不忘传统艺术写意旨趣与书写手法，用富有灵动性的笔法，在虚与实、方与圆、黑与白、墨与色等许多对立的因素中博弈，赋予画面以音乐的韵律。他的这种审美趋向鲜明地反映在他的大写意山水画创作中，无疑，他在山水画创作中获得的体验与收获，对他工笔重彩花鸟画的创作，不无积极的影响。
Tian Shiguang has long been engaged in the creation of flower and bird painting, landscape painting, inherited the fine traditional techniques of the Song Yuan school of double double color meticulous flower and bird painting, and gave it a new spirit of The Times. The Song and Yuan school of fine brushwork heavy color flower-and-bird painting, which had been dormant and lost for three hundred years, was revived and developed. In the rigorous and neat, he does not forget the traditional artistic freehand interest and writing methods, and uses clever brushwork to play games in many opposing factors, such as virtual and solid, square and round, black and white, ink and color, and gives the picture a musical rhythm. His aesthetic trend is clearly reflected in the creation of his brushwork landscape painting. Undoubtedly, his experience and harvest in the creation of landscape painting have a positive influence on the creation of his meticulous heavy-color flower-and-bird painting.
在创作与教学中，田世光以中国花鸟画的传承为己任，重振浓艳富丽的勾勒填色法，并将双勾重彩这一失传数百年的工笔重彩绘法发扬光大，对中国工笔花鸟画的创作、教学与研究起到了重要的推动作用，在他不断地努力下，为我国培养出众多杰出的工笔画画家，可以说，新中国工笔重彩的辉煌成就与田世光的名字是分不开的，所以他的作品无不是经典之作。2023年5月5日，为加强文物保护工作，防止近现代珍贵文物流失，田世光被国家文物局列入“1911年后已故书画类作品限制出境名家名单”，其代表作已不准出境。
In the creation and teaching, Tian Shiguang takes the inheritance of Chinese flower and bird painting as his mission, reinvigorates the rich and colorful sketch and filling method, and carries forward the meticulous and heavy painting method, which has been lost for hundreds of years, and plays an important role in promoting the creation, teaching and research of Chinese meticulous flower and bird painting. With his continuous efforts, he has cultivated many outstanding meticulous painters in China. The brilliant achievements of meticulous painting and heavy color in New China are inseparable from Tian Shiguang's name, so his works are all classic works. On May 5, 2023, in order to strengthen the protection of cultural relics and prevent the loss of modern and precious cultural relics, Tian Shiguang was listed by the State Administration of Cultural Heritage in the "List of famous artists who have restricted the exit of deceased calligraphy and painting works after 1911", and his representative works were not allowed to leave the country.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
