Recommended Boutique ---Han Dynasty duck egg jar
茧形灰陶壶又称"鸭蛋壶"，因器形似蚕茧，又若鸭蛋而得名。器呈唇口、短颈、圈足，腹呈横向长椭圆状。据有关资料介绍，茧形壶器物除了用在生活上，还可以作为军事侦听器。在战国时期，诸侯之间相互争霸称雄西部少数游牧民族经常入侵，于是这个外形奇特、内腹空大的器物，被赋予另一种特殊的使命，战争中将其深埋地下，将耳朵贴于埋壶的地方，用以倾听远方敌方骑兵马蹄声，以此来推测敌军动向。这充分体现了古人们的聪慧和机智，也体现了该器物的价值所在。茧形壶初为战国时期秦国所产，在汉代较为盛行，后来传入朝鲜，在唐代的青白釉瓷器中亦有所见，外形好像一个蚕茧，被俗称为“茧形壶”。这种壶主要是盛酒的器物，口部狭小，腹壁很薄。茧形壶的造型特点是古朴素雅，素面弦纹，多产于陕西关中。
Cocoon-shaped gray pottery pot is also called "duck egg pot", because the shape of the vessel is like a cocoon, and like a duck egg. The organ has a lip, a short neck and a circular foot, and the abdomen is a long ellipse. According to relevant information, in addition to being used in life, cocoon-shaped POTS can also be used as military listeners. During the Warring States Period, vassals fought for each other to become the leader of the western minority nomads often invaded, so this strange shape, the inner belly of the empty object, was given another special mission, the war will be buried deep underground, the ear to the place buried pot, to listen to the distant enemy horse hooves, in order to predict the enemy movement. This fully reflects the wisdom and wit of the ancient people, and also reflects the value of the artifact. The cocoon pot was originally produced by the State of Qin in the Warring States Period, was more popular in the Han Dynasty, and later was introduced into the DPRK. It was also seen in the blue-white glaze porcelain of the Tang Dynasty. It looked like a cocoon, and was commonly known as "cocoon pot". This pot is mainly used to hold wine, with a narrow mouth and a thin abdominal wall. The shape of cocoon pot is characterized by simplicity and elegance, plain surface string pattern, mostly produced in Guanzhong, Shaanxi province.
近期我公司征集了一件汉代鸭蛋罐，内口径10cm，高28cm。泥质灰陶，胎质细腻，壶身为横置蚕茧形，在壶身中部上下分别有圆柱形壶口与圈足，壶口为板沿方唇，圈足外撇，唇口、短颈、圈足，腹部呈横向椭圆的形状，给人以古朴、庄重、鲜丽之感。色彩为灰陶的原色，大小适中，保存完好，乃茧形壶中的精品。茧形壶在秦朝军队行军打仗时，不仅是用来贮水或盛酒的家什，而且可以作为军事探听器。
Recently, our company collected a Han Dynasty duck egg can with an inner diameter of 10cm and a height of 28cm. It is made of clay gray pottery with delicate texture. It has a horizontal cocoon-shaped body with cylindrical spout and ring feet in the middle of the body respectively. The spout is a plate along the square lip, the ring feet are turned out, the lip mouth, short neck and ring feet, and the abdomen is a horizontal oval shape, giving people a sense of simplicity, solemnness and fresh beauty. The color is the primary color of gray pottery, the size is moderate, well preserved, is a fine cocoon-shaped pot. Cocoon-shaped POTS were not only used to store water or wine when the Qin Dynasty army marched and fought, but also could be used as military detectors.
在秦汉时期的墓葬中，经常可以看到茧形壶，这种壶的特征鲜明，因为外观酷似鸭蛋，也被称为“鸭蛋罐”。除了装酒之外，茧形壶可能还蕴含着神秘的科技，在古代战场上监听敌人行进的声音。北宋沈括在《梦溪笔谈·器用》中记载：“古法以牛革为矢服，卧则以为枕。取其中虚，附地枕之，数里内有人马声，则皆闻之。盖虚能纳声也。”其实，茧形壶也有“虚能纳声”的作用。它的口小，腹部很大，器壁较薄，形成一个空腔。如果将茧形壶埋在地下，声音形成震动，经过茧形壶时，能够产生回音。此时，将耳朵紧贴于茧形壶口，便可以听到远处的声音。目前，关于茧形壶监测敌情的功能，还没有历史文献记载和考古发现证据，只是人们根据茧形壶特殊的外形进行大胆地猜测。但是茧形壶的科技含量不止于此，也许比《梦溪笔谈》的记载更加高端。在茧形壶口蒙上一块布，再埋入地下，好像一面鼓。声音经过茧形壶，引起“鼓面”的震动，人们更容易发现敌情；如果周围声音嘈杂，在茧形壶内装满水，埋入地下以后，声音经过这里，引起水波震动，提醒人们注意。在古代的战争时期，茧形壶既能装酒水，又能监测敌情，受到军人喜爱。伴随着战争的展开，茧形壶从当时的秦国向周围地区传播，在山西南部、河南西部、汉水流域和徐州地区等都有发现。汉代以后，随着战争减少和社会观念改变，茧形壶逐渐消失在历史的长河之中。
In the tombs of the Qin and Han Dynasties, cocoon-shaped POTS can often be seen, which have distinctive features and are also called "duck egg POTS" because they resemble duck eggs in appearance. In addition to holding wine, cocoon-shaped POTS may also contain mysterious technology that listened to enemy movements on ancient battlefields. Northern Song Shen Kuo in "Mengxi Pen Talk · Instrument" recorded: "The ancient law to cow leather for the uniform, lying is the pillow. Take the empty, attached to the ground pillow, the sound of horse and horse in a few miles, then all hear it. I can keep my voice." In fact, the cocoon pot also has the effect of "virtual sound". It has a small mouth, a large abdomen, and a thin organ wall, forming a cavity. If the cocoon pot is buried in the ground, the sound will vibrate and echo as it passes through the cocoon pot. At this point, close the ear to the cocoon spout, you can hear the distant sound. At present, there is no historical documentation and archaeological evidence about the function of the cocoon pot to monitor the enemy situation, but people make bold guesses according to the special shape of the cocoon pot. But the cocoon pot's technological content is more than that, perhaps even more high-end than that recorded in Dreamstream Pen Talk. Cover the cocoon-shaped spout with a cloth and bury it in the ground like a drum. The sound passes through the cocoon-shaped pot, causing the "drum head" to shake, and people are more likely to find the enemy; If the surrounding sound is noisy, fill the cocoon pot with water and put it into the ground, and the sound passes through it, causing the water wave to vibrate and alert people to it. In ancient times of war, the cocoon pot can not only hold drinks, but also monitor the enemy situation, which is favored by soldiers. With the onset of the war, cocoon POTS spread from the state of Qin to surrounding areas, and were found in southern Shanxi, western Henan, the Han River Valley, and Xuzhou. After the Han Dynasty, with the decrease of wars and the change of social concepts, the cocoon pot gradually disappeared in the long river of history.
茧形壶为战国时期秦国所产，后盛行于西汉，壶腹或彩绘流云、几何图案，或仅以暗刻弦纹装饰。韩城地处关中平原东北部，东临黄河，西接梁山，其独特的地理位置使之成为兵家必争之地，而当历史的脚步进入汉代这个大一统王朝时，韩城动荡的岁月总算告以段落，并开始了它历史上继周王朝之后的又一个辉煌时期。两千多年过去了，在今天的韩原大地上，我们仍然可以寻找到当年辉煌的痕迹。跌宕起伏的历史，为韩城这块古老而深沉的黄土地沉淀下了一笔丰厚的文化遗存。这其中尤以在韩城出土的汉代陶器最具代表性。它不仅数量巨大，类型多样，品级极高，且烧制精良，极具艺术魅力，为社会各界所瞩目。日用陶是这几类汉陶中数量最多的一类，主要有罐、盆、杯、壶、钟、豆、盘、耳杯、钵、勺、碗、瓶、奁、博山炉等，这类器具大都是灰陶，在烧制过程中尤其是后期，窑温控制得当，还原气氛较好，色质均匀，坚实耐用。在韩城市博物馆馆藏汉陶中，常见的日用陶最具代表性的一种灰陶罐，大小不等，形制基本一致，多为圆形，小侈口，束颈，圆肩，腹内收，小平底，也有茧形，俗称“鸭蛋罐”。器表多为素面，或在肩、颈部装饰一两道弦纹，品级较高的表面有彩绘或朱书、印戳等。
Cocoon-shaped POTS were produced by the state of Qin during the Warring States Period and later became popular in the Western Han Dynasty, with ampullae painted with clouds, geometric patterns, or just decorated with dark engraved strings. Hancheng is located in the northeast of Guanzhong Plain, the Yellow River in the east, Liangshan in the west, its unique geographical position makes it a battleground for the military, and when the footsteps of history into the Han Dynasty this unified dynasty, the turbulent years of Hancheng finally came to an end, and began another brilliant period after the Zhou Dynasty in its history. More than two thousand years have passed, in today's Han Yuan land, we can still find traces of the glory of that year. The ups and downs of history have precipitated a rich cultural heritage for the ancient and deep yellow land of Hancheng. Among them, Han Dynasty pottery unearthed in Hanseong is the most representative. It is not only huge in quantity, diverse in type, extremely high in grade, but also well-fired, extremely artistic charm, and has attracted attention from all walks of life. Daily pottery is the largest number of these types of Han pottery, mainly POTS, POTS, cups, POTS, clocks, beans, plates, ear cups, bowls, spoons, bowls, bottles, bars, Boshan furnace, etc., most of these utensils are gray pottery, especially in the late firing process, kiln temperature control, reduction atmosphere is better, uniform color quality, solid and durable. In the Han City Museum collection of Han pottery, the most representative of common daily pottery is a gray pottery pot, varying in size, basically the same shape, mostly round, small mouth, neck, round shoulders, abdominal retraction, small flat bottom, and also cocoon, commonly known as "duck egg pot". Most of the table is plain surface, or one or two strings are decorated on the shoulder and neck, and the surface of the higher grade is painted or Zhu books, stamps and so on.
汉代用泥土为坯胎、经入窑烧制的器物。主要是各种饮食器、贮藏器等容器，也包括其他生活用具，以及专为随葬而制作的明器。因年代和地区的差异，器物的种类形态、制法、纹饰及烧成温度等都有所不同。大体上可分灰陶、硬陶、釉陶和青瓷4大类。两汉前后延续了近五百年，是中国历史上的一个重要时期；正是在两汉期间中国完成了从 青铜时代向铁器时代的过渡，同时也完成了奴隶社会向封建社会的最终过渡。灰陶是汉代最主要的陶系，已普及到全国各地。此鸭蛋罐就属于灰陶，汉代灰陶容器是继承商周以来的传统而进一步发展，在制作技术上达到更高的水平。一般都呈青灰色，火候均匀，烧成温度约在摄氏1000度以上，质地坚实。
In the Han Dynasty, clay was used as a blank and fired into a kiln. It is mainly a variety of containers such as food utensils, storage utensils, and other living utensils, as well as bright utensils made for burial. Due to the difference of age and region, the types, forms, methods, patterns and firing temperatures of the articles are different. Generally can be divided into gray pottery, hard pottery, glazed pottery and celadon 4 categories. The Han Dynasty lasted for nearly five hundred years, which was an important period in Chinese history. It was during the Han Dynasty that China completed the transition from the Bronze Age to the Iron Age, as well as the final transition from a slave society to a feudal society. Gray pottery is the most important pottery system in the Han Dynasty, which has been popularized throughout the country. This duck egg pot belongs to grey pottery. The grey pottery container of Han Dynasty inherited the tradition of Shang and Zhou Dynasties and developed further, reaching a higher level in production technology. It is generally bluish gray, the heat is uniform, the firing temperature is about 1000 degrees Celsius or more, and the texture is solid.
从中国陶瓷发展史来说，两汉时期正值原始青瓷向成熟青瓷过渡的时期，至两晋时，原始瓷已基本遭淘汰而完成了历史性的转变。西周至汉早期制瓷业并无飞跃发展，恐与当时的社会背景有关：王公贵族风行使用精细的金银器或青铜制品，而一般劳苦大众则多用竹木器或陶器。到了汉代瓷业有很大的发展，当时东南一带窑场密布，陶车拉胚成型替代了泥条盘筑法，使瓷胚制做更加精细。釉料也有了大的改进，釉层明显加厚，光泽强，玻化好， 胎釉结合紧密。汉代陶塑艺术风格的形成，与当时风行的美学思潮有关。汉代思想家认为“求美则不得美，不求美则美矣”，人应该到广阔的外部世界中去寻求美、占有美。所以这就是为什么鸭蛋罐看起来设计简单的原因。这种美学思潮，不仅突出地表现了处在上升时期的汉代统治阶级力求占有和支配广大外部世界的热切渴望、坚毅信心和强大力量，而且使得包括陶塑在内的整个汉代艺术都注目于广阔的现实世界。因而从历史到现实的各种对象、各种事物、各种场景、各种生活，都为汉代艺术家所关注、所表现。在艺术表现形式上，汉代美学家蔑视“雕纤之文”，推崇一种博大崇高之美，用汉代思想家刘安的话讲就是“画者，谨毛而失貌”。只有抓住对象的本质特征，作粗轮廓勾划，才能体现和传达对象的内在精神，表现作者对客观生活的审美评价。这就是包括陶塑在内的汉代艺术，处处呈现出一种雄浑豪放气势的根本原因之一。
From the history of the development of Chinese ceramics, the Han Dynasty was a period of transition from primitive celadon to mature celadon, and by the Jin Dynasty, primitive porcelain had been basically eliminated and completed a historic transformation. From the Western Zhou Dynasty to the early Han Dynasty, the porcelain industry did not develop rapidly, which may be related to the social background at that time: the princes and nobles were popular to use fine gold and silver or bronze products, while the general poor people used bamboo and wood ware or pottery. In the Han Dynasty, the porcelain industry had great development, when the southeast area of the kiln was densely covered, and the pottery drawing embryo molding replaced the mud strip construction method, so that the porcelain embryo was made more fine. The glaze has also been greatly improved, the glaze layer is significantly thicker, the gloss is strong, the vitrified is good, and the fetal glaze is closely combined. The formation of pottery sculpture art style in Han Dynasty is related to the popular aesthetic trend of thought at that time. Han Dynasty thinkers believe that "seeking beauty is not beautiful, and not seeking beauty is beautiful", people should go to the vast external world to seek beauty and possess beauty. So that's why the duck egg jar looks simple in design. This aesthetic trend not only highlighted the eagerness, firm confidence and strong power of the ruling class of the Han Dynasty in the rising period to occupy and dominate the vast external world, but also made the entire art of the Han Dynasty, including pottery sculpture, pay attention to the vast real world. Therefore, from history to reality, all kinds of objects, all kinds of things, all kinds of scenes, all kinds of life, are paid attention to and expressed by Han Dynasty artists. In the form of artistic expression, the Han estheticians despised the "writing of carving fiber" and respected a broad and lofty beauty. In the words of the Han Dynasty thinker Liu An, it was said that "the painter is timid and loses his appearance." Only by grasping the essential characteristics of the object and making a rough outline can we embody and convey the inner spirit of the object and express the author's aesthetic evaluation of the objective life. This is one of the fundamental reasons why the art of the Han Dynasty, including pottery and sculpture, everywhere presents a kind of vigorous and bold momentum.
汉代陶塑既是中国古代陶器工艺发展的结晶，又是处于中国封建社会上升时期大气磅礴的汉代文化的产物。汉代陶塑由于扎根于现实主义土壤之中，注重反映社会生活，同时在艺术风格上追求简朴古拙、雄浑豪放而又充满活力的艺术格调，使得它不仅在陶器工艺发展的长河中，而且在中国整个艺术发展的洪流中，都闪烁着不朽的光辉。它既为后人研究汉代社会生活提供了丰富而真实的形象资料，又为中国传统雕塑、绘画和其他工艺的发展，开辟了无限广阔的道路。从这个意义上说，汉代陶塑不愧为中国古代艺术的瑰宝。此鸭蛋罐保存完好，凸显汉代陶瓷特点，有深厚的历史底蕴，实在是一件难得的珍藏品。
Han Dynasty pottery sculpture is not only the crystallization of the development of ancient Chinese pottery technology, but also the product of the magnificent Han Dynasty culture in the rising period of Chinese feudal society. Pottery sculptures of the Han Dynasty, rooted in the soil of realism, pay attention to reflecting social life, and pursue simple, bold and vigorous artistic style in the artistic style, make it not only in the long river of the development of pottery technology, but also in the flow of the entire development of Chinese art, are shining immortal glory. It not only provides rich and true image materials for future generations to study the social life of the Han Dynasty, but also opens up an infinite and broad way for the development of traditional Chinese sculpture, painting and other crafts. In this sense, Han Dynasty pottery is worthy of being the treasure of ancient Chinese art. This duck egg can is well preserved, highlighting the characteristics of Han Dynasty ceramics, has a deep historical heritage, is really a rare collection.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
