Recommended Boutique --Bian Zenglin "Great luck for thousands of years"
卞增林生于青岛，现定居北京。国家画院特聘画家，国家一级美术师，中国美术家协会民族艺委会委员，中国艺术研究院特聘画家，北京书画协会理事，中国兰亭书法研究院院长，中国友谊促进会理事，国家艺术基金评审委员会专家，魏碑画院特邀画家，北京中国书画协会山东半岛书画院理事。卞增林自幼酷爱美术，毕业于山东工艺美术学院，不惑之年则工笔、写意、书法俱佳，山水、人物、花鸟广泛涉猎，先后拜何家英先生，姜宝林先生为师，曾受教育于启功、沈鹏、霍春阳、史国良、韩天衡、李庚、李小可研习书法和绘画艺术。作品多次入选国内外大型艺术交流会，被中国美术馆，意大利博物馆，丰子恺纪念馆等，国内外机构收藏。2019年被中国书画润格评定中心，评定为一级书画家，2014年被评为中国中青年书画最具潜力艺术家，2015年获得第十九届中国文人画一等奖，2016年获中国美术优秀奖，美术奖，创作奖，2017年在北京荣园艺术馆举报个人书画展，2018年国画作品《万山红遍图》被人民大会堂收藏，并作为中国书画家代表应邀出访韩国、俄罗斯进行书画交流，受到当地政府官员和民众的热烈欢迎。作品多次入选国内外大型艺术交流会，并在国内外设展展出，作品被国内外友人广泛收藏。其代表性作品有水墨山水系列如《高瞻远瞩》（2011年），青绿山水系列如《秋韵》（2021年）、《十八罗汉》（2021年）、《一叶菩提》（2021年）等。
Bian Zenglin was born in Qingdao and now lives in Beijing. Special painter of the National Academy of Painting, national first-class artist, member of the National Art Committee of the Chinese Artists Association, special painter of the Chinese Academy of Art, director of Beijing Painting and Calligraphy Association, President of China Lanting Calligraphy Research Institute, director of the China Friendship Promotion Association, expert of the National Art Fund Evaluation Committee, invited painter of Wei Bei Painting Academy, director of the Shandong Peninsula Calligraphy and Painting Academy of Beijing Chinese Painting and Calligraphy Association. Bian Zenglin has been fond of fine arts since childhood, graduated from Shandong Institute of Arts and Crafts, in his 40s, fine brushwork, freehand brushwork, calligraphy, landscape, figures, flowers and birds, has been paid attention to Mr. He Jiaying, Mr. Jiang Baolin as a teacher, has been educated in Qigong, Shen Peng, Huo Chunyang, Shi Guoliang, Han Tianheng, Li Geng, Li Xiaoke study calligraphy and painting art. His works have been selected for many large art exchanges at home and abroad, and collected by National Art Museum of China, Italian Museum, Feng Zikai Memorial Museum and other institutions at home and abroad. In 2019, he was assessed as a first-class calligrapher and painter by the Chinese Calligraphy and Painting Evaluation Center, in 2014, he was rated as the most potential artist of Chinese young and middle-aged calligraphy and painting, in 2015, he won the first prize of the 19th Chinese literati Painting, in 2016, he won the Chinese Fine Arts Excellence Award, Fine Arts Award, creation Award, and in 2017, he reported his personal calligraphy and painting exhibition in Beijing Rongyuan Art Museum. In 2018, the Chinese painting "Thousands of Mountains and Red Pictures" was collected by the Great Hall of the People, and was invited to visit South Korea and Russia for calligraphy and painting exchanges as a representative of Chinese painters and calligraphers, and was warmly welcomed by local government officials and the public. His works have been selected for many large art exchanges at home and abroad, and exhibited at home and abroad, and his works have been widely collected by friends at home and abroad. His representative works are the ink landscape series such as "Vision" (2011), the green landscape series such as "Autumn Rhyme" (2021), "Eighteen Arhats" (2021), "One Leaf Bodhi" (2021) and so on.
近期我公司征集了一幅卞增林款“鸿运千秋”山水画，整幅画长236.5cm，宽100cm。整幅画作构思严谨精巧，意境恢宏，震撼心灵，群山绵延环绕、瀑布奔腾不息，旭日初升，祥云涌动，气象万千。从中不仅欣赏到祖国大好河山的壮美，更能感受祖国蒸蒸日上，奔涌不息。画作山环水绕，云蒸霞蔚，有财源广进、福泽后世之意。此山水画重视意象凝聚的技法并发扬光大，整体单纯而内涵丰富，融情于景，爱国情怀力透纸背，民族底蕴暗含其中。“鸿运千秋”可寓国运兴旺昌隆，福泽千秋万代，又可意家道运势，聚福纳财，百代兴旺。作品风格大气沉稳，静动结合，虚实相生，意境寥廓，厚重浑苍、气韵生动。讲究墨的韵致，墨法变化微妙多姿，用墨厚而不平，黑而不死，红与墨色交映，亮部与暗部层次分明，观赏者能从其画作中感受到一种开阔的胸襟，豁达的情怀，释然的心境。
Recently, our company collected a landscape painting of Bian Zenglin's "great fortune", the whole painting is 236.5cm long and 100cm wide. The whole painting conception is rigorous and exquisite, the artistic conception is magnificent, shocking the soul, the mountains are rolling around, the waterfalls are rushing endlessly, the sunrise is rising, the clouds are surging, and the scenery is myriad. Not only appreciate the magnificent beauty of the motherland's great rivers and mountains, but also feel the motherland's thriving and surging. Paintings of mountains around the water, clouds steaming Xianyu, there is a wide range of financial resources, the meaning of fuze future generations. This landscape painting attaches great importance to the technique of image condensation and carries forward, the whole is simple and rich in connotation, the feeling is in the scene, the patriotic feelings are powerful, and the national heritage is implied. "Good luck" can be a prosperous country, Fuze Qianqiu thousands of generations, and can mean family fortunes, Fu Na wealth, hundreds of prosperity. The style of the works is atmospheric and steady, the combination of static and dynamic, the imaginary and real, the artistic conception is boundless, thick and muddy, and the charm is vivid. Pay attention to the rhyme of ink, ink changes subtle and colorful, thick and uneven ink, black but not dead, red and ink, light and dark layers are distinct, the viewer can feel an open mind, open-minded feelings, relieved state of mind from his paintings.
作品大气磅礴，气势宏大，中心的主山巍峨，高入云端。寓意事业基业厚实，潜力远大。作品立意高远，气质雅正，作品构图大气、浑然天成，用色巧妙，对比鲜明。祥云漫卷、源水长流,一幅祥和之气铺满整个画面。画中的大山绵延远大，预示着画的主人前程远大、潜力无限。其创作的“鸿运”主题风水画深受各界收藏人士的喜爱，被大家广泛收藏。山岚峰起，云层环绕，枫林披覆，鸿运普照，溪水潺潺;云瀑从高处流到山下，寓意着祥云天降，源水长流。能传达出一种雄浑古拙，苍润秀雅的气息，作品中既有南派山水的舒展空灵，又有北派山水的刚猛豪放。笔法精湛，用墨着色经典古雅，观之给人高端的品质感。
The works are magnificent and imposing, and the main mountain in the center is lofty and high into the clouds. It means that the cause is solid and has great potential. Works of lofty meaning, elegant temperament, works composition atmosphere, natural, clever color, sharp contrast. Auspicious clouds, the source of the long flow of water, a peaceful gas covered the whole picture. The mountains in the painting stretch far, indicating that the owner of the painting has a great future and unlimited potential. His feng shui paintings with the theme of "good luck" are deeply loved by collectors from all walks of life and are widely collected by everyone. The mountains and mountains rise, the clouds surround, the maple forest is draped, the luck is shining, the streams are gurgling; Cloud waterfall flows from the height to the bottom of the mountain, which means that the auspicious clouds fall from the sky and the source water flows long. It can convey a bold and unsophisticated, pale and elegant atmosphere, and the works have both the stretch and empty of the southern school of landscape and the fierce and bold of the northern school of landscape. Exquisite brushwork, classic and quaint ink coloring, the view gives a high-end quality sense.
“鸿运千秋”画作笔法精湛，勾皴点染，灵活变通，色彩鲜明，粗细兼工，对比强烈。画作主题群山绵延无尽，大面积朱红点染，寓意红色革命的光辉历程，也代表国家鸿运当头，繁荣昌盛。鸿运千秋的主体之内，瀑布奔流而来，水面之上云蒸霞蔚，气象万千，寓意祖国百川汇海的胸怀和川流不息，奔腾万象的气象。整幅画作构思严谨，山水相依，意境悠远；朱红点染气象恢弘，妙笔天成，正对“鸿运千秋”之意。“鸿运千秋”可寓意国运兴荣，可见作者胸怀国家天下的宏远志气。又寓意家道兴旺，所谓家国天下浑然一体。 一则山为德，水为性，山水画自古就被誉为性情修为之圣品，秉承了天人合一的禅意。红色山水画是我国独特历史时期的特定产物，而《鸿运千秋》是中国红色山水画的绝佳之作，满山红叶与秋之金黄辉映山间，碧树描金，枝繁叶茂，云蒸霞蔚，三泉环绕；意境幽深，气象万千。民族底蕴暗含其中，家国天下，典藏于心，其历史价值和地位无以伦比；二是世人皆知，中国画对创作者的要求极高，其艺术修为，文化涵养和构图画技乃至历史阅历必须达到一定高度，才能将中国话的内涵完美的体现，大幅画作更难，《鸿运千秋》整张画作采用珍贵的优等颜料，画作大气恢弘； 三是《鸿运千秋》用墨讲究墨之韵致，墨法变化微妙多姿，画风大气沉稳，动静结合，虚实相生。意境寥廓，厚重浑苍且气韵生动，笔力张弛有度，这色自然，尽显中国山水画大家风范，将中国画的“以神写形，以形传神”表现的淋漓尽致，其艺术价值堪称一绝。
"Fortune Qianqiu" painting exquisite brushwork, hook cun spot dye, flexible, bright color, thickness and work, strong contrast. The theme of the painting is endless mountains and large areas are stained with vermilion, which means the glorious course of the Red Revolution, and also represents the prosperity of the country. Within the main body of the great fortune, the waterfall rushes to the water, the clouds on the water, the myriad of weather, meaning the motherland's mind and the endless flow of rivers and vientiane. The whole painting conception is rigorous, the landscape is interdependent, the artistic conception is distant; Vermilion spot dyed magnificent weather, fine pen Tiancheng, is the meaning of "good fortune". "Good luck" can mean the prosperity of the country, it can be seen that the author has the ambition of the country and the world. It also means that the family is prosperous, and the so-called home country and the world are integrated. A mountain for virtue, water for nature, landscape painting since ancient times has been known as the temperament of the holy products, adhering to the unity of heaven and man Zen. Red landscape painting is a specific product of China's unique historical period, and "Hongyun Qianqiu" is an excellent work of Chinese red landscape painting. The mountains are full of red leaves and golden autumn glow in the mountains, green trees are gilded, the trees are lush, the clouds are steaming and the clouds are bright, and the three springs are surrounded. The artistic conception is deep and colorful. The national heritage is implied, the home country and the world are stored in the heart, and its historical value and status are unmatched; Second, as the world knows, Chinese painting has extremely high requirements on the creators, whose artistic cultivation, cultural cultivation, composition skills and even historical experience must reach a certain height in order to perfectly reflect the connotation of Chinese, which is more difficult for large paintings. The whole painting of "Lucky Autumn" uses precious high-grade pigments, and the painting is magnificent; Third, the ink is used to pay attention to the charm of ink, the ink method changes subtly and colorful, the painting style is calm, the combination of static and dynamic, and the virtual and real. The artistic conception is boundless, thick muddy and vivid, the brush force is relaxed, the color is natural, fully showing the style of Chinese landscape painting, the Chinese painting "to write the form, to convey the spirit" performance incisively and vividly, its artistic value can be called a unique.
山峰巍峨耸立，大树深根枝繁叶茂，潺潺流动的溪水，让整幅画面显得更加的幽静，更是为湖面增添了几分气韵，画中熟褐淡扫、青墨雅配，将幽静平湖美景表现的淋漓尽致。这样充满神韵和诗意，给观赏者无尽的美感。卞增林出生于书香门第，六岁初临王羲之《兰亭序》行书，后习颜真卿《勤礼碑》、等诸家精髓，后钟情于李斯的《玉箸篆》、邓石如的《千字文》几十年如一日，临池不辍，终有所成。作品承百家之长，会当今之变，笔锋交错之间就窥探到了中华民族高贵的艺术风骨，尤其以篆书见长，字迹风神洒落，入木三分；运笔兼容李斯之苍劲，邓石如之圆润之法则，字体既古朴典雅端庄俊秀，亦翩若惊鸿，婉若游龙，章法疏放妍妙，天资神纵；既有李斯之风骨，又有邓石如之神韵。卞增林芙的篆书作品《鸿运当头》获得全国第二届篆书展一等奖。作品鸟虫篆被收录在《篆书全集》里。2015年全国书法展，获得《全国书法100强》荣誉称号，被评为“百杰书法家”。2020年篆书《吉祥如意》被中国博物馆永久收藏。卞增林是圈子里修养比较全面的艺术家，书法、篆刻和山水皆有常人不可比拟的成就，特别前两项，因为放松通透成为许多人的入门捷径，所以从学者众而成为一股风气。他是科班出身，又有书法的根基，给观众制造了许多期待。卞增林的绘画弥漫着一股强烈的书法之气，他抛给观众感受的就是书法线条的美。画家绘画时似乎忽略了思考的时间，完全投身于笔墨点画之间的快速联系，洋洋洒洒地制造了“奋笔俄顷而成”的视觉效果，绘画的过程变成了享受由书写语言而造成的气韵流动。也正是如此，画面显得紧凑而富于运动感，卞增林删繁就简，舍弃丘壑的过分堆砌，自成风格。
The mountain peaks stand tall, the trees with deep roots and luxuriant branches, and the flowing streams make the whole picture more quiet, and add a little charm to the lake. The painting is ripe brown and light swept, and the blue ink is elegant, and the beautiful scenery of the quiet lake is vividly expressed. This is full of verve and poetry, giving the viewer endless beauty. Bian Zenglin was born in a scholarly family. At the beginning of six years, he began to read Wang Xizhi's "Preface to the Orchid Pavilion", followed by Yan Zhenqing's "Qinli Tablet", and other quintessence of the family. After that, he loved Li Si's "玉箸篆" and Deng Shilu's "Thousand Characters" for decades. The works bear the strength of a hundred schools, and will change today. Between the interleaving of the brushstrokes, we can glimpse the noble artistic character of the Chinese nation, especially the seal script. Pen compatible with Li Si's fervour, Deng Shilu's mellow rules, the font is both simple, elegant, dignified and handsome, but also if surprised Hong, Wan if you dragon, the rules are relaxed and beautiful, talent God longitudinal; Both the spirit of Li Si and the charm of Deng Shilu. Bian Zenglinfu's seal character work "Luck on the Head" won the first prize of the second National Seal Character Exhibition. His works of bird and worm seal characters are included in the Complete Collection of seal Characters. In 2015, the National Calligraphy Exhibition won the honorary title of "Top 100 National Calligraphy" and was rated as "One hundred calligraphers". In 2020, the seal script "Lucky and Ruyi" was permanently collected by the National Museum of China. Bian Zenglin is a more comprehensive artist in the circle of cultivation, calligraphy, seal cutting and landscape are incomparable achievements of ordinary people, especially the first two, because relaxed and transparent become a shortcut for many people, so from the scholars and become a trend. He is trained, and has the foundation of calligraphy, to create a lot of expectations for the audience. Bian Zenglin's paintings are filled with a strong air of calligraphy, and what he throws to the audience is the beauty of calligraphy lines. When painting, the artist seems to ignore the time to think, and completely devote himself to the quick connection between pen and ink dot painting, creating a visual effect of "vigorous brushwork", and the process of painting becomes to enjoy the flow of energy caused by the written language. It is also so, the picture appears compact and full of sense of movement, Bian Zenglin cut complexity, abandon the excessive pile of valleys, its own style.
国画里千秋万载，国画外人生，看画也是在看人。2023年6月10日由博鳌亚洲艺术人才研究会、北京丝路经典国际艺术发展有限公司、北京太禾木作等多家单位支持，共同举办的外交使节文化交流活动在北京市太和木作举办。此次活动的举办是为了促进世界各国与中国保持友好合作关系，促进多国文化交流，也旨在促进中国传统文化、中国书画文化走向世界。著名画家卞增林先生应邀出席本次活动，在活动现场与多国使节进行文化交流，合影留念，并向来华使节赠送作品并被永久收藏。所以卞增林先生也为弘扬中国文化做了很多贡献。
There are thousands of years in Chinese painting, life outside Chinese painting, looking at the painting is also looking at people. On June 10, 2023, the cultural exchange activities of diplomatic envoys, supported by Boao Association of Asian Art Talents, Beijing Silk Road Classic International Art Development Co., LTD., Beijing Taihe Muzuo and other units, were held in Taihe Muzuo, Beijing. The event is held to promote countries around the world to maintain friendly and cooperative relations with China, promote multi-national cultural exchanges, and also to promote Chinese traditional culture, Chinese painting and calligraphy culture to the world. Mr. Bian Zenglin, a famous painter, was invited to attend the event, conducted cultural exchanges with diplomatic envoys from many countries at the event site, took photos, and presented his works to diplomatic envoys in China and were permanently collected. So Mr. Bian Zenglin has also made a lot of contributions to promoting Chinese culture.
尊重绘画传统和绘画规律，强化中国画本体精神的纯粹性，在继承和思辨中前行。笔墨者，画之根本，山水之形质、精神、镜象与意趣皆由其出。笔墨当随时代，要体现出画家的心性、情性与时代性。绘画之道，唯有格、有品、有境、有新方为可观。而创新需要有传承渊源，造境需有生机文意。言之无文，行而不远。卞增林山水画作的皴擦点染合乎法度，骨法用笔在敦重中兼有灵动，视域之中蕴涵的简远沉郁风度，既是今人对古人做出的某种回应，又极为难得的在笔墨趣味的延展中绽出新意。他以一种文人的内省，在主观真实的追寻之中寄寓萧散逸迈的意象，既关注中国画从传统发展的脉络，又自觉于中国山水绘画的当代性。卞增林属于从传统出新的践行者。在他的水墨系列，“紫团山居”、“山水清音”、“意远在能静”、“山带螺青雨后来”，等作品中无疑可以看出这一思想的脉络，在满卷古意的画面中，用氤氲的淡墨梳理出一片清幽深邃，让人在都市的忙碌中顿生宁静。
Respect painting tradition and painting law, strengthen the purity of Chinese painting ontology spirit, and move forward in inheritance and speculation. The essence of painting, the shape quality, spirit, mirror image and interest of landscape are all derived from it. Brush and ink should follow The Times, to reflect the painter's heart, emotions and times. The way of painting, only the case, the quality, the environment, the new side for considerable. The innovation needs to have the source of inheritance, and the creation of environment needs to have the vitality of the text. Words go nowhere, deeds go far. Bian Zenglin landscape painting wrinkle wrinkle dye is in line with the law, the bone method of the brush in the heavy and clever, the vision contained in the simple and distant depressed style, is not only a response to the ancients, but also extremely rare in the extension of the taste of ink and new ideas. With a kind of literati introspection, he imbued the image of Xiao's wandering in the pursuit of subjective truth, not only concerned about the development of Chinese painting from the tradition, but also conscious of the contemporary nature of Chinese landscape painting. Bian Zenglin belongs to the practice of making new from tradition. In his ink series, "Purple group mountain residence", "landscape sound", "meaning far can be quiet", "mountain belt snail green rain later", and other works can undoubtedly see the vein of this idea, in the full volume of ancient pictures, with dense light ink carding out a quiet and deep, let people in the busy city life.
“鸿运”是当代名家通过写意的手段，利用山水画的构图意境来表现出来的，鸿运风水画题材的山水作品可以说是受到人们的欢迎，“鸿运”寓意我们要行大运，走好远。这幅作品中，山峰高高耸立，山脉众多连绵不绝，每座山头上都簇拥着成片的枫树，好似给山峰戴上一束束红色的光环，正所谓，鸿运当头，便是如此。瀑布从高处流到山下，与远处而来的溪水汇成一片，向画面的尽头流去。整幅画面，虽然高山瀑布，画面却显得安详，溪水潺潺安静而缓和，正寓一马平川一路顺风之意。流淌的瀑布代表着财源滚滚、生生不息的含义，充沛的水源汇流形成聚宝盆的形状，意味着水不外流，即财不外流，也就是招财聚宝盆。两旁的古松寓意左招财右挡灾，也寓含事业长青之意。山水画源远流长，风水文化千古流芳，本作品体现了山水画与风水的有机结合。背山面水，山环水抱;后有靠山，前有财源，将此风水画悬挂于厅堂，立添主人财气，令人一见即生舒适安逸之感，获人兴财旺之效。并且山水美景视觉效果上佳，细节上画功处理的非常出色，从画面的山脉、瀑布、布局等细节处可以看出深厚的画功和用心之处，是山水画作品的佳作。此幅作品构图稳重，画面内容层次丰富，远、近、大、小，完美搭配。大瀑布先入眼球，古松力挺苍劲，构成极富冲击力的远观视觉效果。山谷低处，瀑布脚下，画面冷暖黄金比例，其大色调均衡耐看，不是极其艳丽，也并非可以仿古，所呈现的雅调在当时代颇受欢迎，风水寓意广阔、深远，蕴含政商智慧的博大精深，是悠久文化的缩影与传承。整幅作品山形构图极其独具匠心，尽显艺术家的艺术功底，无论是装饰还是观赏，自己收藏还是赠送他人，都是十分不错的选择。
"Good luck" is the contemporary famous artists through the means of freehand brushwork, the use of landscape painting composition mood to show, the landscape works of the theme of Fengshui painting can be said to be welcomed by people, "good luck" means that we should carry great luck, go far. In this work, the mountain peaks stand tall, the mountains are numerous continuous, each mountain is surrounded by pieces of maple trees, as if to wear a bunch of red halo to the mountain, is the so-called, lucky, it is so. The waterfall flows from the height to the bottom of the mountain, and the brook from the distance merges into a piece, and flows towards the end of the picture. The whole picture, although the mountains and waterfalls, the picture appears peaceful, the brook gurgling quietly and gently, is the meaning of smooth river all the way. The flowing waterfall represents the meaning of rolling money and endless life, and the confluence of abundant water sources forms the shape of a cornucopia, which means that the water does not flow out, that is, the wealth does not flow out, that is, the cornucopia. The ancient pines on both sides imply that the left will attract wealth and the right will block disaster, and also contain the meaning of evergreen career. Landscape painting has a long history and the feng shui culture is immortal. This work embodies the organic combination of landscape painting and feng shui. Back mountain face water, mountain ring water hug; After the backer, there are financial resources before, the feng shui painting hanging in the hall, add to the owner's wealth, make people feel comfortable and comfortable at a sight, gain the effect of prosperity. Moreover, the landscape beauty has excellent visual effect, and the details of the painting are very excellent. From the details of the picture, such as mountains, waterfalls, and layout, you can see the profound painting skills and intentions, which is a good work of landscape painting. The composition of this work is stable, the content of the picture is rich, far, near, large and small, perfect match. The waterfall enters the eye first, and the Gusong force is quite vigorous, forming a highly impactful remote visual effect. At the bottom of the valley, at the foot of the waterfall, the golden ratio of cold and warm of the picture, its large color balance is durable, not extremely gorgeous, nor can it be imitated as ancient, the elegant tone presented is quite popular in the era, feng Shui implied broad and far-reaching, containing the broad and profound wisdom of politics and business, is the epitome and inheritance of a long culture. The mountain composition of the whole work is extremely unique, showing the artist's artistic skills, whether it is decoration or viewing, own collection or gift to others, it is a very good choice.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
