此瓶古朴端庄，典雅大方，两只瑞兽器宇轩昂，腾云驾雾，令人耳目一新，胎体呈豆红色极为滋润细媚，其盈润妩媚动人处，任何言语都难以形容。柴窑胎体为天红的、施透明釉、细纹、可装饰可做文房笔舔多用途、模印瑞兽活灵活现的顶级陶瓷。“薄如纸”，在本器物里，当然不是指胎体，而是施釉技术超卓釉水轻薄如纸。
器物玛瑙入釉痕迹明显，手工施釉极为出色，流淌透明状，整器远观亮晶晶耀目吸睛，“亮如镜”，上手温润洁莹宛如脂玉，其釉水之佳令人瞠目结舌，历经千载宛如新器。不愧为历代御窑第一器，无论器型、釉水、图腾、寓意、工艺任何一处都是顶级货色，无可挑剔。也毫不逊色后世任何御窑官窑瓷，高贵典雅有过之而无不及。
“声如磬”，左手轻托器物，右手指轻轻敲击器沿，发出古乐器的清脆声响，烧制温度应该在1300度左右或者以下，正处于半陶半瓷的过渡时期，胎体手工巧做，有转轮轨线赫然在目，从而得到这独一无二的磬响回鸣。
器物应为匣钵式裹烧无疑，内侧顶部七处支足垫烧痕迹历历可数，《格古要论》记载为：“多足麄黄土”。实物验证，古代名窑唯有高端御用文房才会使用该裹烧法，表明到五代时期中国陶瓷工艺已达到令后世难以攀登的高峰，故具有极高的收藏价值。
This bottle is quaint and dignified, elegant and generous. The two auspicious beasts have a majestic appearance, soaring in the clouds and mist, making it refreshing. The fetal body is bean red, extremely moist and delicate, and its plump and charming charm is indescribable in any words. The body of the Chai kiln is a top-notch ceramic with a sky red color, transparent glaze, fine lines, and can be used for decoration, writing, and licking purposes. It is also a vivid and lifelike model printed auspicious beast. "Thin as paper" in this artifact, of course, does not refer to the body, but rather to the excellent glaze application technology. The glaze water is as light and thin as paper.
The traces of agate entering the glaze are obvious, and the handmade glaze is extremely excellent, flowing in a transparent shape. The whole piece is bright and eye-catching from a distance, "as bright as a mirror", and the hands are warm and clean like jade. The excellent glaze water is astonishing, and after thousands of years, it looks like a new tool. Undoubtedly the first artifact of imperial kilns throughout history, it is a top-notch product in every aspect of its shape, glaze, totem, symbolism, and craftsmanship, impeccable. It is no less noble and elegant than any imperial or official kiln porcelain in later generations.
The sound is like a chime, with the left hand lightly holding the object and the right hand lightly tapping the edge of the instrument, producing a crisp sound of an ancient musical instrument. The firing temperature should be around 1300 degrees or below, and it is in the transitional period of half pottery and half porcelain. The body is handmade with exquisite craftsmanship, and the wheel track line is prominently visible, resulting in this unique chime echo.
The object should be wrapped and burned in a casket style, and the seven supporting feet on the top of the inner side have countless traces of burning. The "Ge Gu Yao Lun" records it as "multi legged yellow soil.". Physical verification shows that only high-end imperial study rooms in ancient famous kilns would use this wrapping firing method, indicating that by the Five Dynasties period, Chinese ceramic craftsmanship had reached a peak that would be difficult for future generations to climb, and therefore had extremely high collection value.
