Recommended Boutique - Chang Dai-chien's "Golden Lotus"
张大千（1899～1983），原名正权，改名爰、又名季、季爰，字大千，别号大千居士，画室名“大风堂”。四川省内江市人。为现当代画坛上最具影响的国画大师之一，也是世界画坛上著名的艺术伟人。张大千作品题材广泛，人物、山水、花鸟、走兽皆精。画人物多采古装，借人物以抒情怀；画翎毛花卉或工笔或写意，清润秀丽，落落大方；山水涉笔成趣，点画新奇，富有诗意。晚年常用泼墨、泼彩描绘风景，独具风格。
Chang Dai-chien (1899-1983), formerly known as Zhengquan, was renamed Yuan, also known as Ji, Ji Yuan, with the word Daqian, nicknamed Daqian Jushi, and the studio named "Dafengtang". Neijiang, Sichuan Province. He is one of the most influential Chinese painting masters in the contemporary art world and also a famous artistic figure in the world of painting. Chang Dai-chien's works cover a wide range of subjects, including characters, landscapes, flowers and birds, and animals. Painting characters in ancient costumes, borrowing characters to express emotions; Painting feathers, flowers, meticulous brushwork, or freehand brushwork, with a clear and beautiful appearance, elegant and graceful; Landscape painting becomes interesting, with novel and poetic strokes. In his later years, he often used splashing ink and colors to depict landscapes with a unique style.
张大千先生擅长画花卉。他画的花卉种类很多，荷花、秋海棠、牡丹、兰花、水仙、梅华等等。而他平时画的最多的还是荷花。他自己常说：“赏荷、画荷，一辈子都不会厌倦！” 大千先生的荷花，早年多水墨写意，初期从八大山人、石涛到青藤、白阳，亦兼用浅绦法。中年受敦煌壁画之影响，兼作工笔重彩荷花，并作巨幅的墨荷和用没骨法画荷。到了晚年将山水画的泼墨技法运用到画荷上。开创出他自己的独特风格。因此在中国画荷史上，张大千先生可堪称是自八大山人、石涛以来中国百年第一画荷大家。
Mr. Chang Dai-chien is good at painting flowers. He painted many kinds of flowers, such as lotus, Begonia grandis, peony, orchid, narcissus, plum blossom, etc. And he usually draws the most lotus flowers. He often said, "You can never get tired of appreciating and painting lotus in your life!" Mr. Daqian's lotus flowers were freehand brushwork in his early years. At the beginning, from Bada Shanren and Shi Tao to Qingteng and Baiyang, he also used the shallow tapestry method. Influenced by Dunhuang murals in middle age, he also created meticulous and heavy colored lotus flowers, as well as large-scale ink lotus and boneless lotus paintings. In his later years, he applied the splash ink technique of Shan shui to the painting lotus. Create his own unique style. Therefore, in the history of Chinese painting, Mr. Chang Dai-chien can be called the first master of painting lotus since Bada Shanren and Shi Tao.
近期我公司征集了一幅张大千“金线荷花”，整幅画卷为竖卷，荷花图长100厘米，宽50厘米。荷花中融入了唐代金碧辉煌、雍容华贵的风貌。风裳翠盖、碧叶纷披、红花灼灼。朱红重彩敷色，复以宋人笔法勾勒花瓣，使整个画面更加富丽堂皇、光彩夺目，发挥荷花潇洒脱俗的韵味，尤其是荷花的造型清雅优美、叶大梗长、亭亭净植更显没骨荷花的神韵。且存世量极少，极具收藏价值。
Recently, our company collected a picture of Chang Dai-chien's "Golden Lotus". The whole picture is a vertical scroll with a length of 100 cm and a width of 50 cm. The lotus incorporates the magnificent and elegant style of the Tang Dynasty. The wind is covered with emerald clothing, the green leaves are draped in profusion, and the red flowers are scorching. The vermilion is heavily colored, and the petals are outlined using Song style strokes, making the entire picture more magnificent and dazzling, showcasing the natural and refined charm of lotus flowers. Especially, the lotus flowers have elegant and beautiful shapes, large leaves and long stems, and the pavilion is pure and planted, highlighting the charm of boneless lotus flowers. And with a very small amount in existence, it has great collection value.
张大千的荷花，为国人脸上增色”，当年张大千先生三十五岁时所画的《金荷》被法国政府收藏时，徐悲鸿先生曾十分激动的向国人如是说。而后更道出了“五百年来第一人”这一画坛名言。张大千画荷，历来为后人所推崇，得之一花，拾之一叶，皆为传世之宝。太老师笔下的荷花有金碧、没骨、工笔、写意、泼墨、泼彩，洋洋洒洒，勾金的荷花更加富丽堂皇、没骨的荷花更加清妍秀丽、写意的荷花更加翰墨淋漓。这是张大千画风的第一次重大变革。第二次重大变革，是他衰年变法，首创了泼彩的艺术风格，不仅为山水开创了新纪元，也为画荷开辟了新天地，使泼墨泼彩艺术阐发无余。张大千的艺术道路是由师古到融古，最终达到化古为己用的最高境界，实为全能的天才画家。
The lotus of Chang Dai-chien adds color to the face of the Chinese people. "When Mr. Chang Dai-chien painted the Golden Lotus when he was 35 years old and was collected by the French government, Mr. Xu Beihong said to the Chinese people with great excitement. Later on, the famous saying in the art world, "The First Person in 500 Years," was introduced. Chang Dai-chien's paintings of lotus have always been respected by later generations. One flower and one leaf are handed down from generation to generation. The lotus flowers in Teacher Tai's works include emerald, boneless, meticulous, freehand brushwork, splashing ink, and splashing colors, all of which are magnificent. The golden lotus flowers are more magnificent, the boneless lotus flowers are more beautiful, and the freehand lotus flowers are more vivid in calligraphy. This is the first major change in Chang Dai-chien's painting style. The second major change was his reform in his declining years, which pioneered the art style of splash color. It not only opened a new era for landscape, but also opened up a Xintiandi for painting lotus, making the art of splash ink and splash color elaborate. Chang Dai-chien's artistic path is from learning from the ancient to melting the ancient, and finally reaches the highest level of turning the ancient into his own use. He is really an all-round talented painter.
此幅画作构图饱满，层次繁复，大气回荡，画面兼工带写。荷梗、荷花在荷叶之间的穿插、映现，具空间感，有大气派，饶足匠心。荷叶舒展变化、俯仰有态，认真而潇洒。叶以墨色没骨技法为主，既有浅绛又有青绿点缀，整饬中富烂漫，或可想见作者今后的发展端倪。叶茎当属胎息于青藤、八大、石涛的写意之笔，荷梗通天彻地，英姿勃发，秀挺的弧度与弹性恰到好处，仔细看来，荷梗中空，又增加了一些精微的处理，妙造自然，一笔之下，既有篆书法，又有草书意，功力深不可测。
The composition of this painting is full, with complex layers and atmospheric echoes. The painting also serves as a work piece. The intersperse and reflection of lotus stems and flowers between lotus leaves exudes a sense of space and atmosphere, with great craftsmanship. The lotus leaves stretch and change, with a graceful and serious attitude. Ye mainly uses ink and boneless techniques, with both light crimson and green embellishments. He is well-rounded and prosperous, which may reflect the author's future development. The leaf stem is a freehand brushstroke that thrives on green vines, Bada, and Shitao. The lotus stem is towering and majestic, with a graceful curvature and elasticity that are just right. Upon closer inspection, the lotus stem is hollow and adds some subtle treatments, creating a natural and exquisite composition. With one stroke, it has both seal calligraphy and cursive calligraphy, and its skills are immeasurable.
此画最有特色是荷花，五色祥瑞集于一身，超乎自然，时光掩映，风姿绰约，含香垂露，嫩蕊摇珠，大千以独到的手法，彩荷饰以墨线，浓墨重彩点醒花尖，红荷涂以金彩，光亮夺人眼目，在金碧辉煌中，复见雅致端宁。此作传承有序，并如此富丽堂皇的作品，是多年来拍卖会中难得一见的巨幅之作，当能为知者青睐，得其佳所。
The most distinctive feature of this painting is the lotus, which combines five colors of auspiciousness, surpassing nature, with time setting off. It is graceful and graceful, with fragrance hanging down and dew, tender stamen shaking beads, and a unique technique. The colorful lotus is decorated with ink lines, with thick ink and heavy colors to awaken the flower tips, and the red lotus is painted with gold color, shining brightly and eye-catching. In the golden and blue brilliance, elegance and tranquility can be seen again. This work has been passed down in an orderly manner and is such a magnificent work, which has been a rare masterpiece in auctions for many years. It should be favored by the wise and have won its reputation.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
