Recommended Boutique ---Ding Kun style "Misty Rain Green map"
丁昆，1963年出生，就学于解放军艺术学院。现为中国美术家协会理事、中国油画学会理事、河南省美术家协会副主席、河南省美协油画艺委会主任、河南省油画研究会会长。教授，囯家一级美术师。作品曾二十余次入选国家级美术展览，获“第七届全国美术作品展铜奖”，作品由中国美术馆、中国国家博物馆、中国人民革命军事博物馆、中央党史馆、炎黄艺术馆、香港文物展览馆、台湾索卡艺术中心，日本仟代田俱乐部、国际奥委会等收藏。
Ding Kun, born in 1963, studied at the PLA Academy of Arts. He is now the director of the Chinese Artists Association, the director of the Chinese Oil Painting Society, the vice chairman of the Henan Artists Association, the director of the oil Painting Art Committee of the Henan Artists Association, and the president of the Henan Oil Painting Research Association. Professor, national first-class artist. His works have been selected for more than 20 national art exhibitions and won the Bronze Award of the 7th National Art Exhibition. His works are collected by the National Art Museum of China, the National Museum of China, the Military Museum of the Chinese People's Revolution, the Party History Museum of the Central Committee, Yanhuang Art Museum, Hong Kong Heritage Exhibition Center, Taiwan Soka Art Center, Japan's Kanodya Club, the International Olympic Committee, etc.
近期我公司征集了一幅丁昆款“烟雨苍翠图”，整幅画卷为横卷，共8平尺，描绘以苍翠林木映照依山傍水为题材的山水画，雨水节气，苍山如翠，飞雨入阶，丝丝缕缕，如烟如雾，美不胜收。湖面两支停泊的小船和几只黑鸦，烟雨朦胧似乎带着丝竹的雅韵，充满着诗情画意，但又似乎清冷虚灵。大师笔下的雨景山水，远山雾霭，近树清波，给人无限清润之感。大篇幅的墨色配上些许的点点鲜艳颜色，空灵无比，让人心情沉静，右上方题字“烟雨苍翠图”和落款印章，极具收藏价值。
Recently, my company collected a Ding Kun "misty rain green map", the whole picture is horizontal, a total of 8 square feet, describing the landscape painting with green trees reflecting the mountains and rivers as the theme, rain solar terms, Cangshan such as green, flying rain into the stage, filaments of wispy, such as smoke such as fog, beautiful. Two boats at anchor on the lake and a few black crows, misty rain seems to be with silk and bamboo elegant rhyme, full of poetic meaning, but it seems cold and empty spirit. Under the master's pen, the rain scenery mountains and rivers, the distant mountains and the near trees are clear, giving people an infinite sense of freshness. A large volume of ink with a little bit of bright color, ethereal indelible, let people feel calm, the top right inscription "misty rain green picture" and seal, very collectible value.
国画一词起源于汉代，主要指的是画在绢、宣纸、帛上并加以装裱的卷轴画。国画是中国的传统绘画形式，是用毛笔蘸水、墨、彩作画于绢或纸上，题材可分人物、山水、花鸟等。中国画在内容和艺术创作上，体现了古人对自然、社会及与之相关联的政治、哲学、宗教、道德、文艺等方面的认知。自唐宋以来，画家对于国画的创新一直延续至今，在传承的基础上创新风格。中国画之所以分为人物、花鸟、山水这几大类，其实是由艺术升华的哲学思考，三者之合构成了宇宙的整体，相得益彰，是艺术之为艺术的真谛所在。
The term "Chinese painting" originated in the Han Dynasty and mainly refers to scroll paintings painted on silk, rice paper and silk and mounted. Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink and color. The subject matter can be divided into figures, landscapes, flowers and birds. In terms of content and artistic creation, Chinese painting embodies the ancient people's cognition of nature, society and related politics, philosophy, religion, morality, literature and art. Since the Tang and Song Dynasties, painters' innovation of traditional Chinese painting has continued to this day, innovating styles on the basis of inheritance. The reason why Chinese painting is divided into the categories of figures, flowers and birds, and landscapes is actually the philosophical thinking of artistic sublimation. The combination of the three forms the whole universe and complement each other, which is the true meaning of art as art.
烟雨苍翠图画面崇山层叠，古木丛生，近茅屋一间，远方山泉高挂，山石树木用浓墨描写，焦墨点苔，远山峰顶，全幅景物茂密，构图巧思，奥境深幽，峰峦浑厚，笔墨苍茫。 墨晕淋漓，烟云生动。《烟雨图》其名，道出了画家作品的特点：烟雨时节，云雾缭绕。四季云霞变幻，风雨晦明，无不渲染入微。作品构图明快简练，笔触豪放率意，水墨交融，淋漓滋润，充分展现了独特的个人画风。云烟变幻，峰峦林壑，墨晕淋漓，应物象形，渲染入微，乃形成水墨淋漓，烟雨变幻的风格。画法，往往落笔迅疾，以干笔勾皴，笔触浑厚不单薄，而后以将纸打潮后趁湿渲染，因此取得了烟雾迷蒙，淋漓润泽的艺术效果。作品墨晕淋漓，烟云生动。画中的自然水山美景宁静、朴实、温润，远山朦胧，近景细腻，灵动通透，适合细细品味。丁昆老师的此幅画作颜色简单，但笔墨技法丰富至极，令景物千变万化，意韵油然而生，画中景物无不表现鲜活，色彩润丽，营造出迷濛空灵的景象，满眼诗意，了然于心。
Misty rain green picture Chongshan overlapping, ancient trees, near a hut, distant mountain springs hanging high, mountains and trees with thick ink description, Jiao ink dot moss, far mountain peak, the whole landscape thick, composition clever, deep and quiet, thick peaks, vast ink. Dripping ink and vivid clouds. The name of "Misty Rain Map" reveals the characteristics of the artist's work: misty rain season, shrouded in clouds. The four seasons of clouds and clouds change, wind and rain, all rendered in detail. The composition of the work is clear and concise, the brushwork is bold and spontaneous, and the ink and wash blend and moisten, fully demonstrating the unique personal painting style. Clouds and clouds change, peaks and valleys, ink halo dripping, should be the image shape, rendering subtle, is the formation of ink dripping, misty rain changing style. The painting method, often start quickly, with dry brush hook cun, thick brush not thin, and then to wet the paper after wet rendering, so achieved smoke and haze, dripping moist artistic effect. The works are dripping with ink and vivid clouds. The beauty of the natural water and mountain in the painting is quiet, simple and warm, the distant mountain is dim, the close-range is delicate, and the smart and transparent are suitable for careful taste. The color of this painting by Ding Kun teacher is simple, but the ink technique is extremely rich, so that the scenery is ever-changing, the meaning of the poem arises spontaneously, the scenery in the painting is all fresh, the color is beautiful, creating a misty and ethereal scene, full of poetic eyes, clearly understood.
欣赏中国山水画，要了解国画制作者的胸襟意象。画家把名山大川的特色，先储于心，再形于手，所以不以“肖形”为佳，而以“通意”为主。一树一石、一船一鸟，皆可代表画家的的意景追求意境之美——“不取工细，意似便已”，这也是中国写意画之核心。写意画主张神似，最能体现中国画艺术的灵魂。这种对于“意”之“抒怀”，超越了时空的限制，演变成为古代文人寄托自我的书画形式。
To appreciate Chinese landscape painting, we must understand the mind image of the makers of Chinese painting. The characteristics of famous mountains and rivers are first stored in the heart and then shaped in the hand, so the "Xiao shape" is not the best, but the "general meaning". A tree, a stone, a boat and a bird can represent the painter's intention to pursue the beauty of artistic conception - "do not take meticulous, meaning is already", which is also the core of Chinese freehand painting. Freehand brushwork advocates likeness of spirit, which can best reflect the soul of Chinese painting art. This kind of "expressing feelings" for "meaning" transcends the limitation of time and space and evolves into the form of calligraphy and painting in which ancient literati express themselves.
写意画不是对所描绘物象的机械“重现”，而是重在“写其意”、“传其神”，表达的是“人的精神”，是画家思想的外化。以老子和庄子为代表的道家学派，便主张“涤除玄览”，即去尽一切功利私欲，寻求内心的虚静状态。在这样哲学思想影响下，文人审美倾向于“本心”自省、讲究“忘却物我”。反观孔孟之学，则主张以“人”的伦理道德去观看自然现象，将自然现象发展为人的精神品质的表现和象征。简洁、飘逸、孤寂、幽深之意韵，在画家笔下展示了好一片锦绣山河，也借此直抒胸臆。
Freehand brushwork is not a mechanical "reproduction" of the depicted objects, but focuses on "writing its meaning" and "conveying its god", expressing the "human spirit" and the externalization of the painter's thoughts. The Taoist school, represented by Laozi and Zhuangzi, advocated "eliminating the metaphysical view", that is, to do all the utilitarian desires and seek the empty and quiet state of the heart. Under the influence of such philosophical thoughts, literati tend to "self-examination" and pay attention to "forgetting things". On the contrary, Confucius and Mencius believe that natural phenomena should be viewed with human ethics, and natural phenomena should be developed as the expression and symbol of human spiritual qualities. The sense of simplicity, elegance, solitude and profoundness shows a beautiful mountain and river under the painter's pen, and also expresses one's heart directly.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
